People of Camagüey lovers of the rumba danced with Yoruba Andabo

Camagüey - The Havanan group Yoruba Andabo conquered in Camagüey a new success in the tour for seven counties, with its 25 year-old reason dedicated to one of the emblems of the Cuban culture: the rumba.

Directed by Geovani del Pino, the cast carried out this Wednesday its last performance in this town, in the School of Instructors of Art that takes the name Nicolás Guillén, a person of Camagüey that won the attribute of National Poet of Cuba with a monumental legacy based on the miscegenation of the culture of the Island.

Of the Pine expressed his satisfaction for the impacts registered in the course of the journey, which also had scales in Guantánamo, Santiago of Cuba, Granma, and Holguín, and that will offer the next presentations, in accordance with the program, on Friday in Trinidad and on Sunday in Santa Clara.

The group has acted in Colombia, Canada and the United States of America, among other countries, and shared scenaries with interpreters like Pablo Milanés, Lázaro Ros and Tata Güines.

workshops and seminars figure in the pedagogic work in charge of the cast whose name consists of two words of African origin associated to the concept of the friends, admirers and followers of the earth and the culture of the ethnos yoruba.

According to the Cuban music's Dictionary, of Helium Orovio, the rumba arose of the slope African-American-Spanish , with special print in the first of those components. Its origin is urban and semi-rural, and possesses three expressive modalities, yambú, guaguancó and columbia.

Diverse studies also consider to the rumba the Cuban musical gender more influenced directly by direct Hispanic factors, the key and the cry. (Adolfo Silva Silva ).